Thursday, April 13, 2017

Counter-Intuitive Contradictions

I have observed some scenarios that appear to be what I call counter-intuitive contradictions. Some examples may serve as the best way to describe what I mean:


Most secular nymphets see no problem with wearing two-piece [cheeky thong] bikinis to the beach but most would never wear their bras and panties in public. Yet, what's the difference.


Especially among the underprivileged and outside of Williamsburg, Brooklyn, a man wearing a pair of high-water pants would be ridiculed but a man wearing a pair of sweatpants would be ignored. Yet, what's the difference. (Strangely, this phenomenon does not apply to women.)



In White Girl (2016), which I saw advertised on the Uptown 4, a college girl and her boyfriend do cocaine, smoke marijuana, have sex on a roof with the Manhattan skyline in the background, and have sex during daylight in a moving cab, but when her boyfriend suggested that they get married, the girl opined that they were too young. 😑

Monday, April 3, 2017

Speed Reading Made Easy


I've been reading eight books - five in English, two (slowly) in Arabic and one (very slowly) in French. The English titles are:

Abbott's The End of Everything
Nabokov's Mary
Wilson's The Twenties
Dawidoff's The Fly Swatter
Mathews' Paul Gauguin: An Erotic Life

To save time, I've reverted back to speed reading. I'm not sure why I stopped. I believe that I decided to read slowly as a passive-aggressive protest against the hustle and bustle of New York City. 

I learned to speed read from Ferriss' blog post "Scientific Speed Reading: How to Read 300% Faster in 20 Minutes". It's a long read and there is more than one way to do it, but the short version is that to read quickly while retaining comprehension, one should read with a pen\pen or his finger and stop about two words in from the left and right margins. 

Reading with a pen forces one to read quicker and your peripheral vision will read the words that are "skipped" near the margins. 

Trust me. It works. 

Saturday, March 18, 2017

Stolen and Found Manuscripts



I was looking for the outline of my unpublished and (allegedly) stolen children's book when I stumbled upon the over 600 page and over 91,000 word MS of The Role Model, my first (unpublished) novel. 

I was informed by a representative of the Volunteer Lawyers for the Arts that they couldn't pursue my case, because I had exceeded that statute of limitations, but I did get "Yes Dear!" out of the ordeal, which I published in The Poet.


YES DEAR!

The Poet took a stab at writing a novel
that didn’t sell well. Though, it was quite artful.

Then he decided to write a children’s book
that he had outlined in a cahier notebook.

How hard could it be? He thought one night.
But it turned out to be very difficult to write.

Who knew there was a method to the silliness.
The Poet’s struggles made him a bit anxious.

He read How to Write Children's Picture Books.
And read a lot of children’s picture books.

After six months the manuscript was done
and [e]mailed to every agent in Manhattan.

Soon the rejection letters came in electronically;
And he lost hope of getting published quickly.

Seven years later a former student said,
What was the name of your MS I read?

Wasn’t it titled Yes Dear!?
Yes, dear.

She was getting a PhD in child lit at MSU
when she spotted the contraband askew

upon an oak bookcase
in a Serif typeface.

Well, I just read Yes Day!
and Yes Dear! sounds like Yes Day!

She Camscanned Yes Day! into her iPhone
and sent the PDF which was almost a clone

of The Poet's unpublished book.
To which he said, "That crook stole my book!"

He emailed Volunteer Lawyers for the Arts
which is an organization that imparts

counseling and pro bono legal representation
for artists who are in the statute of limitations

Dejected he said, “Well, back to poetry I go.
No, let's do a book on the history of espresso?”

Over six years ago, I let a supporter read The Role Model's MS. Days later, she handed it back to me and shook her head as if I had offered her a warm slice of slimy okra pie. For some reason, I didn't edit the MS. I didn't even ask her what was specifically wrong with my book, but I immediately sat down at a Mac and began writing Katie, my complemented but out-of-print second novel. 




Saturday, February 4, 2017

A Beautiful Description of Food in THE ARABIAN NIGHTS

The 28th night in Haddawy's translation of The Arabian Nights contains the most beautiful description of food shopping that I've ever read. Enjoy...






Saturday, January 21, 2017

The Beard: The Orthodox, Hipsters, The Most Interesting Man in the World & Famous Writers

Famous Bearded Writers
Clockwise: Chekhov, Hemingway, D.H. Lawrence and Tolstoy

Excerpt from The Allure of Nymphets: From Emperor Augustus to Woody Allen, A Study of Man's Fascination with Very Young Women:


"On a related side note, psychologists at Northumbria University found that women prefer men with beards as oppose to clean shaven men, because women find men with beards to be tough, mature, aggressive, dominant and masculine, which are all attraction switches for women. Faces with full beards were judged to be the most masculine, aggressive and socially mature, while men with light beards were considered the most dominant. Those with light stubble were rated the most attractive. Clean-shaven men finished last for masculinity, dominance, aggression, and social maturity, and they were the least favored choice as a long-term partner.

Reginal Reynolds wrote in Beards that “the clean shave was a common practice in the West, which appears to have been adopted by the Christians in the time of the Roman Empire…Then, as Christianity slowly spread northward once more, it appears to have brought with it the habits of the Lain peoples and - in an insidious, indefinable way – shaving became characteristically Christian and the beard or moustache something like the Mark of the Beast. They were found on the Moslem and the Jew…The beard was sacred to the Jew and the Moslem, and to shave it off a proof that a religion which sanctified the beard had been renounced.”

Of course, not every Jew or Muslim wore or wears a beard but Reynolds explains this by relating that “… it is manifest that those Jews who removed their beards in the Middle Ages must have done so for reasons very similar to those which today prompt a Negro to de-kink his hair – for one was liable to insult and injury if one wore this offending ornament. But while a Negro may seek immunity by attempting to pass for a White, the medieval Jew not merely found it safer to resemble a Gentile in appearance, as far as he could – he was in positive danger of being forced to abandon his beard and his faith if he did not dissimulate the latter by scrapping the former.”

Thamos S. Gowing related in The Philosophy of Beards that “Under Charles the 2nd, the Beard dwindled into the mere moustache, and then vanished. And when we consider the French apery of that un-English court, it is no wonder the Beard appeared too bold and manly an ensign to be tolerated. It went out first among the upper classes in London, and by slow degrees the sturdy country squires and yeomon also yielded their free honors to the slavish effeminate fashion, which, by the force of example, descended even to the working classes…”"

Although beards are still popular among orthodox Jews and Muslims, hipsters in Williamsburg, The [current and former] Most Interesting Man in the World, and some famous writers, despite the beard's attractiveness and rich history, bearded men remain in the minority. However, the Mirror reported "Beard it like Beckham - new trend as British men fork out thousands to have facial hair transplants to look like star"

Sunday, January 1, 2017

The Conscious, Unconscious and Writer's Block



Leonard Mlodinow wrote in Subliminal that in 2005, Caltech's Christof Koch came up with a way to study unconscious vision by manipulating a subject's binocular rivalry to create an artificial blind spot. 

Koch discovered that if a changing image is presented to one eye and a static image to the other eye, a subject will see the dynamic image but not the static image. 

Using Koch's discovery, a group of scientists exposed each subjects right eye "to a colorful and rapidly changing mosaic-like image and the subject's left eye to a static photograph that pictured an object." (i.e., the image on the right changed, and the image on the left didn't change.)

The object was placed near the right or left edge of the photograph. Because they couldn't consciously see the (static) image, the subjects had to guess where the object was located. 

When an unprovocative static image was used, the subject's answers were expectedly correct about 50% of the time, but when a provocative static image of a nude woman was used, the men did "significantly" better at guessing which side the (nude) image was on - despite the fact that the men were "clueless" and couldn't consciously see the pornography. 

Mlodinow wrote "We don't consciously perceive everything that registers in our brain, so our unconscious mind may notice things that our conscious mind doesn't"

And that "[d]eep concentration causes the energy consumption in your brain to go up about 1 percent. No matter what you are doing with your conscious mind, it is your unconscious that dominates your mental activity - and therefore uses up most of the energy consumed by the brain"

And I would assert, using this as evidence, that writer's block is a (Hollywood) myth. If one thinks long enough, material will move from the unconscious to the conscious.




Saturday, December 10, 2016

The Theory of Competing Emotions



I have a theory that I call the Theory of Competing Emotions. The theory states that when two emotions are competing, the stronger of the two determines one's behavior. 

For example, de Botton's pits the fear of doing nothing against the fear of doing it badly (i.e., the fear of being embarrassed). For writers, the fear of doing nothing outweighs the fear of being embarrassed about writing badly. 

Thus, if you're apprehensive about doing something, conjure a stronger competing emotion that will have a positive impact on your behavior.

Religious people use this technique all time. For example, an orthodox Muslim's fear of being stoned to death or lashed, with Allah's help, will overcome his desire to commit adultury or fornicate with a nubile maiden. 

And Gallagher shared in Rapt: Attention and the Focused Life that it's easier for the positive emotion to win if you plan ahead. She wrote that "...some pragmatic research suggests that it's easier to shift your focus from that rich dessert to your goal of losing five pounds if you practice ahead of time." Thus, if your desire for a piece of cake (on a non cheat day) is competing with you're desire to lose five pounds, you're more likely to avoid the cake if you plan ahead. 

Friday, November 25, 2016

Google on Yahoo!


I just heard this from a member of Generation Z, which is extremely interesting when I'm reminded that less than twenty years ago Yahoo! was the search engine of choice for the young and hip.

Saturday, November 12, 2016

Nymphets Reading LOLITA




The first time I met a nymphet* who was reading Lolita was about ten years ago. She was a high school junior who boldly cradled her copy around Manhattan. But she is no anomaly. For example, Amy Rose Spiegel and Rose Lichter-Marckread read Lolita as nymphets.

Spiegel, who wrote “Older Men: Everything you always wanted to know about them, and weren’t at all afraid to ask”, shared that when she was fifteen she, “[...] idealized the thought of someone being single-mindedly obsessed with me the way the novel’s narrator is with Lolita.”**

And Lichter-Marck, who wrote “Two Kinds of Memory: Catching moments like butterflies”,** shared that when she was sixteen she fell in love with Lolita and that “From the first sentence I was hooked.”

I’ve written about fictional nymphets like Molly Maxwell who independently read Lolita in class, but it would be fascinating to hear from other nymphets who have read Nabokov’s magnum opus and get their take on the novel.

* Based on Merriam Webster’s definition of nymphet, my studies, and experiences, I’ve extended Humbert’s age limit by five years to nineteen-years-old.


Saturday, September 24, 2016

LOL: Laughing Out Loud While Reading




To assist with an ongoing project, I recently re-read Nabokov's Laughter in the Dark and I'm almost done re-reading Look at the Harlequins! and I don't recall the novels being as funny the first time that I read them. There were a lot moments in the books that made me smile, which I marked in the margins with a lonely LOL, but there are other moments where the acronym gets an accompanying exclamation point that indicates that I literally laughed out loud - on the subway.


Here's an example of a LOL where Albinus and Margot are frolicking at the beach:

He splashed in after her. She turned toward him, laughing, spitting, wiping the wet hair from her eyes. He attempted to duck her, then caught her by the ankle and she kicked and screamed. An Englishwoman who was lolling in a deck-chair beneath a mauve sunshade reading Punch turned to her husband, a red-faced, white-hatted man squatting on the sand, and said:


“Look at that German romping about with his daughter. Now, don’t be so lazy, William. Take the children out for a good swim.” p114

But here are two examples of LOL! moments:

In this scene, Albinus suspects that Paul knows about the affair.


She was cuddled in a corner of the sofa, relating slowly and minutely the plot of a play which she had seen. Her pale eyes with the faint freckles under them were as candid as her mother’s had been, and her unpowdered nose shone pathetically. Paul nodded his head and smiled. She might have been speaking Russian for all he knew. Then suddenly, and for one second only, he caught sight of Albinus’ eyes looking at him over the book he was holding. p 73



Here's a bit of advice that Rex shared with the couple:

“One can’t build up one’s life on the quick-sands of misfortune,” Rex had said to him. “That is a sin against life. I once had a friend who was a sculptor and whose unerring appreciation of form was almost uncanny. Then, all of a sudden, out of pity he married an ugly, elderly hunchback. I don’t know exactly what happened, but one day, soon after their marriage, they packed two little suitcases, one for each, and went on foot to the nearest lunatic asylum. In my opinion, an artist must let himself be guided solely by his sense of beauty: that will never deceive him.” p 181


And this was a LOL! moment for me in Look at the Harlequins!:

I might have been displeased by the tolerance she showed Basilevski (knowing none of his works and only vaguely aware of his preposterous reputation) had it not occurred to me that the theme of her sympathy was repeating, as it were, the friendly phase of my own initial relations with that faux bonhomme. From behind a more or less Doric column I overheard him asking my naive gentle Annette had she any idea why I hated so fiercely Gorki (for whom he cultivated total veneration). Was it because I resented the world fame of a proletarian? Had I really read any of that wonderful writer's books? Annette had looked puzzled but all at once a charming childish smile illumined her whole face and she recalled The Mother, a corny Soviet film that I had criticized, she said, "because the tears rolling down the faces were too big and too slow." 

"Aha! That explains a lot," proclaimed Basilevski with gloomy satisfaction. p 117

By the way, there's a copy of the 1969 film adaption of Laughter in the Dark on Archives.org.